RealClearBooks Week of October 10, 2022 Archives

RealClearBooks AM Update

Monday, October 10
Annie Ernaux Is a Perfect Nobel Laureate
Alex Shephard The New Republic
Triumph of a Limousine Liberal
Andrew Ferguson Washington Free Beacon
The Guggenheim’s Scapegoat
Helen Lewis The Atlantic
Loretta Lynn: The Queen of Country Music
Brandon Meeks The American Conservative
Behind Wilco’s 2001 Masterpiece
Lindsay Zoladz New York Times
The Problem with Canonizing Bourdain
Peter Tonguette Washington Examiner
Two Hundred Years of Stendhal
Robert Zaretsky Quillette
What Can Novels Do?
Alex Pabán Freed Gawker
Fans Boycott George R.R. Martin’s 'Racist' New Book
Jack Hobbs New York Post
The Terrifying Car Crash That Inspired a Masterpiece
Ted Geltner The New Yorker
‘Amsterdam’ Review: High Society Shuffle
Kyle Smith WSJ
What If America's True Religion Is… Rock & Roll?
Jeffrey Quackenbush Arc Digital
A Horse at Night
Brian Dillon 4Columns
Cormac McCarthy’s Interviews
Dianne C. Luce Scholarly Publishing Collective
How Fame Corrupted Alan Rickman
Tanya Gold UnHerd
How to Write a Bond Theme Song
Elle Hunt British GQ
At the MUNCH in Oslo
Leann Davis Alspaugh The New Criterion
Nikki Finke, Iconoclastic Entertainment Journalist, Dies at 68
Adam B. Vary Variety


Tuesday, October 11
The Shock and Aftershocks of 'The Waste Land'
Anthony Lane The New Yorker
What to Read During the MLB Playoffs
John Wilson First Things
Is There a Future for Late-Night Talk Shows?
John Koblin & Benjamin Mullin NYTimes
The Spanish Empire and Its Aftermath
Tunku Varadarajan WSJ
Martin Scorsese: Rinse and Repeat
Sean Egan The Critic
Aretha Franklin Was Tracked By the FBI for 40 Years
Jenn Dize Rolling Stone
Hungary: A Country Apart
David Pryce-Jones National Review
There's No Escaping the Enlightenment
Kim R. Holmes Law & Liberty
The Cult of Carl Schmitt
Richard Wolin Liberties
Hollywood’s Secret Problem Solver Speaks
Gary Baum The Hollywood Reporter
'Invisible Man' at Seventy
Eugene Holley Jr. The National Endowment for the Humanities
The Loneliness of Sinéad O’Connor
Hilary Plum Astra Magazine
Joyce Carol Oates, We Were the Mulvaneys
John Pistelli Grand Hotel Abyss
Alan Rickman's Secret Showbiz Diaries
Alan Taylor The Guardian
The Tortured Life of Nikki Finke
Sharon Waxman TheWrap
Reality Is Wild and on the Wing
Steven Moore Poetry Foundation
In Pursuit of a Commercial Republic
Daniel M. Rothschild Discourse
Jann Wenner Doesn’t Get That He’s Doing Just Fine
Tom Zito Alta


Wednesday, October 12
Don’t Punish Kanye West
Hadley Freeman UnHerd
Ye Reveals Desperation of Conservatives
Ian Haworth Washington Examiner
‘Twelve O’Clock High’ and Forgotten Art
Vincent McCaffrey American Greatness
SNL Needs to Log Off
Amanda Wicks The Atlantic
An Interview with Martin McDonagh
Miranda Sawyer The Guardian
Economic Truths, Perennially Forgotten
William Briggs Law & Liberty
The Metaverse Does Not Exist
Dan Hugger The Acton Institute
We’ve Been Thinking About Holograms All Wrong
Lane Brown Vulture
Whose Truth? Whose Power?
Robert Grant Price University Bookman
Going, Going, Gone!-tology
Billy Lennon Cleveland Review of Books
'Lessons' Is Ian McEwan at His Worst
David James The Critic Magazine
On the Problematic-Male Confessional
Jay Caspian Kang The New Yorker
Lena Dunham Is Back in Her Comfort Zone
Alison Herman The Ringer
Lydia Millet on Long Extinct Creatures and Boundaries
Jane Ciabattari Lit Hub
The Genre-Shattering Fictions of Alan Moore
Junot Diaz New York Times
‘Amsterdam’ Stands to Lose Nearly $100 Million
Anthony D'Alessandro Deadline
Angela Lansbury, Star of Stage and Screen, Dies at 96
Mike Barnes THR


Thursday, October 13
Tolstoy’s Moments Beyond the Clock
Jason M. Baxter First Things
Annie Ernaux: Queen of the Suburbs
Boyd Tonkin UnHerd
Morrissey Is the Rock ’N’ Roll Rebel We Need
Brendan O'Neill The Spectator World
The Psychological Impact of Consuming True Crime
Amelia Tait WIRED
From Culture Wars to Kulturkrieg?
Claudia Franziska Brühwiler Law & Liberty
The Vivacious Dead
Karen Wilkin The New Criterion
Five Best Books on Ancient Rome
Peter Stothard WSJ
The Devil Wears Lululemon
Emma Collins Washington Examiner
The Uses of Artistic Extravagance
Alan Jacobs Hedgehog Review
Immense Peace
Peter Hitchens The Lamp Magazine
Sixty-two Reasons to Smile
Lee Siegel City Journal
The Meaning of Chess's Cheating Scandal
Scott McConnell The American Conservative
How True to the Conducting Life Is 'Tár'?
Justin Davidson Vulture
Annie Ernaux and the Millennial Sex Novel
Noor Qasim The Drift
Extreme Gamers
John Mac Ghlionn American Mind
Black Skinhead
Ross Anderson The Scroll


Friday, October 14
Has the American Novel Abandoned God?
Fergus Butler-Gallie The Spectator World
My Weekend With the Martians
Ruby Sutton Astra Magazine
Bold Parenting Tips from the Child-Free Author
Lara Feigel Aeon Magazine
The Unbearable Blandness of 'Barney'
Sarah Larson The New Yorker
How 'The Waste Land' Became the Most Quotable Book
Jeremy Noel-Tod Prospect
Feminising Feminism
Helen Dale Law & Liberty
The Photograph That Will Stop the War in Ukraine
Edward Serotta Tablet
The Latter Caesars
Andrew Montiveo The New Criterion
Hermann Burger’s Frenzied Harmonies
Charlie Lee The Nation
The Vindication of Green Day
Dan Moore The Ringer
Angela Lansbury Could Make the Silliest Movie Work
David Sims The Atlantic
The Future ­Remains Open
Dan Hitchens First Things
Liam Neeson in Talks to Star in New ‘Naked Gun’ Movie
Justin Kroll Deadline
The Hurting Kind
Kevin T. O'Connor Harvard Review
Cooking with Taeko Kōno
Valerie Stivers The Paris Review
'Think Outside Your Tribe' Month
Carl Cannon & David DesRosiers RealClearFoundation
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