-
Jun 11, 2026
There are precious few “ambiguous monument[s]” still standing. Many periodicals like Lionel Trilling’s beloved Partisan Review are now extinct. The wages of the...
-
May 26, 2026
Katherine Packert Burke’s second novel All Us Saints is structured like a chamber play. Trading in the autofictional, referential, hyper-contemporary context of her first...
-
Apr 7, 2026
Would you fuck Ben Lerner? Or perhaps "Adam," the autofictional protagonist of Leaving the Atocha Station and The Topeka School who also appears as "Ben"...
-
Mar 2, 2026
The antidote to oversharing has arrived. Vagueposting is anything I want to hear, oversharing is anything I don’t want to hear. For years, the personal essay industrial complex...
-
Feb 23, 2026
Why is the Right so appealing to young women novelists? The protagonists of Anika Jade Levy’s Flat Earth and Madeline Cash’s Lost Lambs are enamored...
Jun 11, 2026There are precious few “ambiguous monument[s]” still standing. Many periodicals like Lionel Trilling’s beloved Partisan Review are now extinct. The wages of the...
May 26, 2026Katherine Packert Burke’s second novel All Us Saints is structured like a chamber play. Trading in the autofictional, referential, hyper-contemporary context of her first...
Apr 7, 2026Would you fuck Ben Lerner? Or perhaps "Adam," the autofictional protagonist of Leaving the Atocha Station and The Topeka School who also appears as "Ben"...
Mar 2, 2026The antidote to oversharing has arrived. Vagueposting is anything I want to hear, oversharing is anything I don’t want to hear. For years, the personal essay industrial complex...
Feb 23, 2026Why is the Right so appealing to young women novelists? The protagonists of Anika Jade Levy’s Flat Earth and Madeline Cash’s Lost Lambs are enamored...