RealClearBooks Week of July 18, 2022 Archives

What Would Joan Rivers Do?

A.J. Rice American Greatness

Art, Performance Art, and Climate Activism

Micah Mattix Washington Examiner

All Involved in Netflix’s 'Persuasion' Should be Jailed

Deborah Ross Spectator World

How Picasso's 'Guernica' Flopped

Hugh Eakin The Atlantic

‘Picasso–El Greco’ Review: Linking the Masters

Michael FitzGerald WSJ

Ghostly Self-portrait of Van Gogh Discovered

Martin Bailey The Art Newspaper

‘Marx Can Wait’ Review: A Director Digs Into His Brother’s Death

A.O. Scott NYT

The Reflections of Kendrick Lamar

Joshua Bennett The Nation

The Discontent of Russia

Joy Neumeyer Aeon Magazine

Cold War Culture

Martin Tyrrell Dublin Review of Books

The Right Right

Daniel McCarthy First Things

Wittgenstein at War

Thomas Nagel New Statesman

Interview: Talking Conspiracies With Author Scott A. Shay

Jerry Rogers WBAL

Stanley Kubrick’s Most Influential Movie

Kyle Smith National Review

An Academic Sheen on Immigration Advocacy

Jason Richwine RealClearBooks

What a Good Bookstore Should Feel Like

Dwight Garner New York Times

The Other Special Relationship

Samuel Goldman Washington Free Beacon

Earliest Images of Two Biblical Heroines Unearthed

Lucia Cheng Smithsonian

Christianity and Poetry

Dana Gioia First Things

Claes Oldenburg, Iconic Pop Artist, Dead at 93

Associated Press New York Post

The Art of Business

Dominic Green WSJ

Let's Give Duke Ellington the Pulitzer Prize

Ted Gioia The Honest Broker

‘Netflix Thinks Exactly Like an Old Movie Studio’

David Sims The Atlantic

The Circus That Was 80s Literary Britain

Alexander Larman The Spectator World

The Rise and Fall of Sad White Men

John Self The Critic Magazine

Dürer the Engraver

David Platzer The New Criterion

‘Women in George Washington’s World’ Review

Stephen Brumwell WSJ

‘Bright Valley of Love’ Holds a Message for Today

Cheryl Magness The Federalist

'The Survivor' Asks Something of Its Audience

Jonathan Leaf Acton Institute

Maurer Delivers the Real Stuff in 'The Good Afghan'

Brett Allen RealClearDefense

The Right Standards for American Schools

James Hankins Law & Liberty

In Defense of Us

Joe Lonsdale The American Mind

Two Kinds of Détente

David P. Goldman Law & Liberty

An Unsolved Murder Lingers Over ‘Where the Crawdads Sing’

Alexandra Alter NYT

Cannon on Reagan, and Life

Jay Nordlinger National Review

‘Dickie V’ Review: College Basketball’s No. 1 Cheerleader

John Anderson WSJ

A Book from the Brink

Alex Taylor The American Conservative

The Myth of the Modern Self

Carl R. Trueman First Things

The Right Person

Joshua Coleman Aeon Magazine

On Popular Reason and Self-Rule

Roger Kimball The American Mind

Zero Impact's Grim Cost

Richard Morrison Law & Liberty

‘Nope’ Review: Hell Yes

A.O. Scott New York Times

'Die Another Day': Best, and Worst, of James Bond

Barry Wurst Hollywood in Toto

Chappelle Show Canceled by ‘Woke’ Theater

Erin Keller New York Post

Clooney, Knight, Grant among 2022 Kennedy Center Honorees

Neda Ulaby NPR

How Jane Lynch Became a Treasure of the Small Screen

David Canfield Vanity Fair

Bookseller Who Helped Transform Oxford, Mississippi

Casey Cep The New Yorker

A Love Letter to the ‘Best Mountain Range on Earth’

Verlyn Klinkenborg The Atlantic

The Godless Bible

James Bruce Law & Liberty

If God Is Beyond Sex, Must We Be, Too?

Scott Yenor Modern Age

Art Is for Seeing Evil

Agnes Callard The Point Magazine

Melancholic Verses

Randy Boyagoda First Things

Terrors of the Sky

Jonathan Beckman Literary Review

Netflix CEO Predicts Linear TV Downfall

Lucas Manfredi Fox Business

Dave Chappelle Show Canceled by Minneapolis Venue

Ellise Shafer Variety

‘The Disappearance of Josef Mengele’: Monster in Exile

Amanda DeMarco WSJ

‘Conspiracy U’ – an Urgent Read for Our Times

Jerry Rogers RealClearBooks

Aristotle in the Writers’ Room

Timothy Farrington WSJ

Reality Is Just a Game Now

Jon Askonas The New Atlantis

RealClearBooks Week of July 18, 2022 Archives

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