What do you call a group of people united by grief? A family. Or at least that’s the formulation that has been dancing through my mind as I pondered where to begin. This is, after all, the frame that Kendrick Lamar offers from the outset on his long-awaited fifth album, Mr. Morale and the Big Steppers. When my friend Tim and I talked about the record, he told me that he’d misheard its title as “Mr. Morales and the Big Steppers,” which sounds like the name of a late-’70s family band that I would love. Later that day, in my group chat, another friend, Kyle, shared the abstract of a paper that he’d just presented, in which at one point he says something like “What’s important to remember is that funerals are also reunions.” I hear these lines on repeat, resounding in the background as the beat builds, while I play Kendrick’s album, trying to find a foothold.