"Baumgartner" by Paul Auster
Paul Auster’s brilliant eighteenth novel opens with a scorched pot of water, which Sy Baumgartner — phenomenologist, noted author, and soon-to-be retired philosophy professor – has just forgotten on the stove.
Baumgartner’s life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next forty years, and back to Baumgartner’s youth in Newark and his Polish-born father’s life as a dress-shop owner and failed revolutionary.
Rich with compassion, wit, and Auster’s keen eye for beauty in the smallest, most transient moments of ordinary life, Baumgartner asks: Why do we remember certain moments, and forget others? In one of his most luminous works and his first novel since the Booker-shortlisted tour-de-force 4 3 2 1, Paul Auster captures several lifetimes.
Author
Paul Auster is the bestselling author of 4 3 2 1, Sunset Park, The Book of Illusions, Moon Palace, and The New York Trilogy, among many other works. In 2006, he was awarded the Prince of Asturias Prize for Literature. His other honors include the Prix Médicis étranger for Leviathan, the Independent Spirit Award for the screenplay of Smoke, the Los Angeles Times Book Prize for Burning Boy, and the Carlos Fuentes Prize for his body of work. His most recent novel, 4 3 2 1, was shortlisted for the Man Booker Prize. He is a member of the American Academy of Arts and Letters and is a Commandeur de l’Ordre des Arts et des Lettres. His work has been translated into more than forty languages. He lives in Brooklyn, New York.
Praise
“A profound character study of a man whose advancing years are shaped by mourning and memory. . . . Sy lives simultaneously in both the present and the past, and Auster navigates these two narrative tracks nimbly [and] . . . . the effect builds to a beautiful approximation of memory’s fluidity and allure. This is one to savor.”—Publishers Weekly
“Baumgartner’s mind is full of late-life insights and angst, while his capacity for love provides a rich emotional seam. Auster packs a lot into this slim novel . . . An always intriguing writer.”—Kirkus Reviews
