Paul Thomas Anderson: Leonardo DiCaprio Unfiltered
Daniel Chin: ‘Weapons’ Won’t Explain Itself
Lillian Fishman: The Front Page
Yascha Mounk: How We Got the Internet All Wrong
Brian C. Anderson: The Truth That Frank Meyer Knew
George Dardess: Can It Be True? Part Two
Maggie Sonne: Reconsidering Theater as a Civil Society Institution
Clifford Ando: The Crisis of the University Started Long Before Trump
Pamela Alma Weymouth: Anne Lamott and the Power of Hope
Kat Rosenfield: Presidential Fitness Test Was Humbling. I’m Glad It’s Back.
Caitlin Huston: Are Top Podcasters Fudging Their Numbers?
Natan Last: On Catherine Lacey’s “The Möbius Book”
The Ivy Exile: Columbia's Sweet Surrender
Ed Foster-Simeon: Coaches Are an Untapped Resource
Dr. Kendall Conger: I Challenged Duke’s DEI Dogma
Josh Appel: C.S. Lewis in the Age of Bleakness
Steven Ruiz: The Quarter-Century Evolution of the NFL
Frank Filocomo: A TikToker In Search of America’s Third Places
Grace Byron: McMansions Are the New Haunted House
Oliver Traldi: The Twilight of Liberal Credentialism
Alana Pockros: Missed Connections
Matthew Morgan: The Dog Days of Covid
Richard M. Reinsch II: Rise of the Silicon Valley Patriots?
Eileen Jones: 'Weapons' Is a Generational Warfare Tale of Terror
November 28, 2024Twenty-seven degrees in a Port-A-Jon, the seat freezing my ass. I’m in the dark with a little flashlight. Chemically treated feces and urine splash up onto my anus. The wind...
