RealClearBooks Week of August 22, 2022 Archives

RealClearBooks AM Update

Monday, August 22
The Quiet End of the Golden Age of Television
Ben Domenech Spectator World
What's at Stake for HBO and Amazon
Sarah Whitten CNBC
The Case for an American Revolution in Morals
Barton Swaim WSJ
Eight Books That Will Lead You Down a Rabbit Hole
Robert Rubsam The Atlantic
Why Does Britain Hate Winslow Homer?
Alastaire Sooke The Telegraph
JT LeRoy Never Existed, But He Lived
Katherine Dee Return
The Compliant College Classroom
Lee Trepanier Law & Liberty
Wolfgang Petersen, Director of ‘Das Boot,’ Dies
Scott Roxborough Hollywood Reporter
How to Watch 10 of Wolfgang Petersen's Best Movies
Justin Chang LAT
The Reactionary Blockbuster of the Summer
Michael Schindler American Spectator
Netflix Pivots to Tom Dillon
Rob Lockwood Washington Free Beacon
A Vision of Black Success
Ian Rowe Acton Institute
Not Quite Her Majesty’s Service
Dominic Green Washington Free Beacon
Why the PRC Embraced Paul Robeson
Gao Yunxiang Aeon Magazine
Wow, Politicians Are Really Bad at Podcasting
Derek Robertson Politico Magazine
Why I'm Publishing My Next Book on Substack
Ted Gioia The Honest Broker
Did Luxury Mag Photo Hide Stole Cambodian Relics?
Peter Whoriskey WaPo
Leon Vitali, Stanley Kubrick's Right-Hand Man, Dies at 74
Lindsey Bahr AP


Tuesday, August 23
An American Socrates, Dumbed Down
Titus Techera Law & Liberty
The Rescue of Sigmund Freud
Andrew Nagorski WSJ
Michael Mann's Last Laugh
James Wolcott Air Mail
Farewell to Wolfgang Petersen, and to the Sincere Action Movie
Bilge Ebiri Vulture
A Sharp and Shrewd Look at Lawrence
Paul Dean The Critic Magazine
The Deacon and the Dog
Daniel Edward Rosen City Journal
The New York City Aesthetic, 1962 - Now
David Sugarman The Scroll
Delightfully Acerbic Memoir of a Broadway Princess
Peter Tonguette Wa.Examiner
Yoram Hazony's Winsome Defense
David Koyzis Mere Orthodoxy
Mantel & McLuhan Illuminate our Digital Moment
Santi Ruiz Regress Studies
Monuments to Futility
Blaise Ebiner American Mind
Oscar Hammerstein: A Wonderful Guy
Peter Tonguette National Review
What Bob Dylan Wanted at Twenty-three
Nat Hentoff The New Yorker
The Mancini Touch
Nate Chinen The Criterion Collection
Unmasking a Forged Galileo Treasure
Michael Blanding New York Times
Alex Katz Is Still Perfecting His Craft
Amanda Fortini New York Times Style
The Glaring Flaw at the Heart of 'House of the Dragon'
Sophie Gilbert The Atlantic
When Every Ketchup But One Went Extinct
Sam Lin-Sommer Atlas Obscura
Passing Notes
Chris Morgan Return


Wednesday, August 24
Writing Downstream
Alex Perez Return
The Challenge of the Conservative American Novelist
H. W. Crocker III AmGreatness
Living With ADHD Is Great Training for Writing a Novel
Amber Medland Irish Times
Get Some Free Speech While You Can
Caitlin Flanagan The Atlantic
The Baby and the Bathwater
Daniel Klein & Daniel J. Mahoney Law & Liberty
'The Waste Land' at 100
Jason M. Baxter First Things
On Pre-Political English
Mark Bauerlein Athwart
The Best Books of Fall 2022
Adrienne Westenfeld Esquire
A Plea to Those Leaving Conservative Churches
Fred Sanders Christianity Today
How Eco-Fiction Became Realer Than Realism
Lynne Feeley The Nation
The Clairvoyance of TikTok
Katherine Dee The Scroll
I Really Didn't Want to Write This Promotional Essay
Lauren Acampora Lit Hub
Harpo Marx: Genius, Idiot, or Lovable Child?
Scott Bradfield The Spectator World
The 100 Best Movies of the ’90s
David Ehrlich & Kate Erbland & Eric Kohn IndieWire
How Did John Bonham's Signature Drum Sound Evolve?
Tobias Carroll InsideHook
Trevor Noah's Cancel Culture Critique Rings Hollow
Christian Toto Hollywood in Toto
Economics: Why Warner Bros. Sunk $90 Million Batgirl Movie
Peter Jacobsen FEE
'House of the Dragon' Revives Fascist Art
Armond White National Review
‘Scent of a Woman’ is Really About the Scent of a Man
The Editors PlannedMan


Thursday, August 25
The Politics of 'Unprecedented' Projection Needs to End
Guy Shepherd PlannedMan
The Loathing of Madison—And America
Colleen Sheehan Law & Liberty
New Civil War Drama Defies Ideological Labels
Guest Contributor Hollywood in Toto
Veteran at the Breaking Point
David Craig & John Waters RealClearDefense
Getting Back to Kipling's India
Casey Chalk The American Conservative
Pawns in a Dark Plot
Maya Solovej Astra Magazine
Our Kids Need Sad Books
Myke Bartlett The Critic
The Paintings of Katherine Bradford
Franklin Einspruch The New Criterion
Battle for the American Mind
John M. Peterson ClassicalEd Review
How Woke is Nietzsche?
Giles Fraser UnHerd
The Cult of A24
Nate Jones Vulture
‘Empires of Ideas’: Strong Nations, Strong Education
Michael S. Roth WSJ
When a Joke Is the Difference Between Freedom and Tyranny
Titus Techera Acton
A Belated Vindication for School Reopeners
Mary Katharine Ham Reason
Distorting American History
Mary Grabar The Federalist
Put Down the Woke Man's Burden
James Hankins First Things
Are You Kidding???
Alice Temnick Econlib
Do Deadheads Buy Grateful Dead–Branded Lettuce?
Stephanie Ganz Bon Appétit
Pekin Noodle Parlor: America's First Chinese Restaurant
Richard Grant Smithsonian
The Definitive Ranking of Every 'Goodfellas' Food Scene
Jake Emen InsideHook


Friday, August 26
Triviality's Assault on Liberty
Richard Gunderman Law & Liberty
Zuckerberg: FBI Warned of Russian Disinformation
Jonathan Turley Res Ipsa Loquitur
How the Salman Rushdie Fatwa Changed the World
Reuel Marc Gerecht WSJ
Should Pastors Be Political?
Ben C. Dunson First Things
All Revolutionaries Are Selfish
Sean Thor Conroe UnHerd
TS Eliot's Cruelest Months
Diane Scharper Washington Examiner
The Medium Is the Menace
Andrey Mir City Journal
A Tiny Minority Can Lead the World Toward Liberty
Dan Sanchez FEE
Medicalising Art
Sam Buntz The Critic
The Late-Summer Melancholy of 'The Swimmer'
Nick Ripatrazone Gawker
On Jordan Castro's 'The Novelist'
Nathan Winer Cleveland Review of Books
Review: John Talty's 'The Leadership Secrets of Nick Saban'
John Tamny RCM
How Sara Bareilles Evolved Beyond Being a Pop Star
D.T. Max The New Yorker
Resnais’s Masterpiece La Guerre est finie
Armond White National Review
The Guilt-Free Pleasure of Airplane Movies
Lenika Cruz The Atlantic
'Funny Pages': Hilarious Look at Naive Teenage Rebellion
Mark Asch InsideHook
'Three Thousand Years of Longing' Review
Barry Wurst Hollywood in Toto
Publishers Arguing They Have no Idea What They’re Doing
Constance Grady Vox
Monday, August 29
The Old South Shall Rise Again
Victor Davis Hanson The New Criterion
Drinking with the Ancients
David Butterfield Antigone
The Brutal Pessimism of Michel Houellebecq
Ryan Napier Jacobin
A Town’s Centuries-Old Passion Play Evolves
Michael Paulson New York Times
Weird Science
Errol Morris Air Mail
It's Time for Salman Rushdie's Nobel Prize
David Remnick The New Yorker
Let There Be Light
Martin Kemp The Critic Magazine
The Waste Land at 100
Jason M. Baxter First Things
Everyone Deserves a Granite Countertop
Seth Barron Claremont Review of Books
How Disruptions Happen
David Potter Aeon
Casualties of the Reading Wars
Dale Chu National Review
How Rickey Henderson Played It Safe
Terry Eastland Washington Free Beacon
Quentin Tarantino Slams François Truffaut
Christian Zilko IndieWire
How Woke Put Paid to Publishing
Joanna Williams City Journal
What Is a Museum?
Tom Seymour The Art Museum
Myths Carved Into Motion
Dominic Green Wall Street Journal
George Peppard, Half a Double Man
Nicky Smith Splice Today
Blondie Remembers the Bad Old Days
Alan Light Esquire
Remembering M. Stanton Evans
James A. Davenport University Bookman


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