“I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing, and endings are a disaster.” —Sam Shepard, interview with The Paris Review
In the middle is a king in black, yellow-green flowers on his cloak. His face is hidden. He’s being a shy guy. He holds a guitar. To his right is a dancer and behind him, I don’t know. One website with a weird font called her an odalisque who “symbolises the Orient.” And all around them: shape and color. Blue and pink and orange, more yellow, more green. Lemon-colored petals in the air. Twirls of black, the dancer spins.
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