In 'Disclosure Day,' Steven Spielberg Replays the Hits

It’s been nearly four years since we’ve had a new Steven Spielberg picture—an unusually long, but understandable, wait. Spielberg, though as nimble an entertainer as we’ve got, will turn eighty this December, and the halcyon overachieving years of “Jurassic Park” and “Schindler’s List” (1993), “Minority Report” and “Catch Me If You Can” (2002), and “War of the Worlds” and “Munich” (2005) seem far behind him. His most recent feature, “The Fabelmans” (2022), was the kind of piercingly confessional work that might have put a lesser filmmaker out to pasture (not that a lesser filmmaker could have made “The Fabelmans”). After digging deep into his formative memories—chief among them his childhood surrender to the movies, which would define him, and which he would forever redefine—where, exactly, could Spielberg go next?