Is it Too Late to Save Hollywood?

Over the past two decades, A.S. Hamrah has carved out a peculiar niche for himself in the increasingly bowdlerized world of American film writers as an uncompromising critic of not just movies, but the systems of power they reflect. Take his quip about Everything Everywhere All at Once, from one of his signature short-form reviews for n+1: “The thing I don’t understand is how you lose money running a laundromat,” Hamrah writes, “especially if you own the building.”