In the summer of 1995, a few days before his 25th birthday, the filmmaker Kevin Smith attended his first San Diego Comic-Con. “It was like a circus,” he wrote years later, “wrapped up in a treasury edition-sized comic book, stuffed inside a month of Saturday morning cartoons, served with cheese sauce.” Smith was at Comic-Con for an early screening of Mallrats, his second movie with film school pal Scott Mosier under the duo’s View Askew Productions banner.
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