In a 1990 review of Thomas Pynchon’s Vineland, John Leonard described the book as “unbuttoned, as though the author-god had gone to a ballgame.” Vineland is maybe my personal favorite Pynchon, although choosing one feels like trying to pick the best lava lamp in a chandelier store, so volcanically exceptional is he to American letters, which can’t help but look square and patrician by comparison. I love all the unbuttoned Pynchons—the later, “easier” novels, the stuff that didn’t take decades to research or at least doesn’t make a show of it, the loosies. Vineland, Inherent Vice, Bleeding Edge, even Against the Day (a long book, but a fun and limber one): these are where Pynchon’s essential pleasures, the makeshift utopias and ludicrous jokes (some perilously low-hanging) that make him so miraculous, get the most room to roam.
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