The best thing about One Battle After Another is how it doesn’t demand that you keep up—it simply expects it. Paul Thomas Anderson drops the audience directly into a world that looks and sounds a lot like ours, and yet in this world there’s a fairly competent revolution rising up against the recognizable bloom of facism, a xenophobic underground cabal that’s running and drinking tea out of Christmas Spode, and for the first quarter of the movie, a sexy sort of Bonnie-and-Clyde thing between—sorry, just checking my notes here—Teyana Taylor and Leonardo DiCaprio. And we simply have to keep up.
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