A QUARTER CENTURY OF steady competence has made it easy for us to forget that the history of the novel is a history of monsters: Don Quixote. Gargantua and Pantagruel. Watt. No sooner does the reading public get comfortable (and bored) with a particular set of expectations than the surface of the genre trembles, threatening to belch up a kaiju whose bug-eyed weirdness will make us grab our children and run screaming toward the parking lot.
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