We Know It’s a Show

WE’VE ALL HEARD (some among us have preached) well-meaning sermons about the importance of amplifying marginalized voices in literary spaces. Yet despite good intentions—e.g., tropes of the “perceptive outsider” or “staunch individualist”—there remains a dearth of more fully rendered neurodiverse characters. One of our finest contemporary writers, Gary Shteyngart, is here to remedy that problem. Meet Vera Bradford-Shmulkin, the plucky, if often melancholy, 10-year-old protagonist of Shteyngart’s enchanting new novel, Vera, or Faith. An academic overachiever obsessed with language and a future career as “a woman in STEM,” Vera feels alienated from her classmates at her Manhattan magnet elementary. She struggles to calm her “monkey brain” and control her toe-walking and arm flaps, signature behaviors of mild autism, or what we used to categorize as Asperger’s syndrome. Shteyngart portrays these with compassion; his focus is on the potential of the “outsider” as a gifted truth-teller. Far from a subject of pity, Vera is a wise and feeling guide—like a 10-year-old Virgil, shepherding us through the novel’s netherworld of tormented souls while contending with her own angsts.