Whit Stillman has claimed that he does not want to make serious dramas, only comedies. This does not mean, however, that his work has no serious intention. Critics have classified his three films, Metropolitan (1990), Barcelona (1994), and The Last Days of Disco (1998), as comedies of manners, and are reminded of Jane Austen. And well they might be, for Stillman has admitted that Austen, Tolstoy, and Samuel Johnson are the authors he loves most. A comedy of manners, according to the dictionary definition, is a satirical treatment of conventional or fashionable society. Satire arises when an author places an outsider among those who take the fashions, customs, and attitudes of their class for granted, allowing the audience to see conventional society from the outsider’s perspective. In Austen’s Pride and Prejudice, for example, we watch along with Mr. Bennet the absurdities of his wife’s efforts to introduce their daughters into fashionable society.
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