When Jane Austen started writing in 1787, she could never have anticipated the crowd of New Yorkers in Lululemon leggings who lined up outside an East Village cinema on a recent evening, awaiting a screening of Jane Austen Wrecked My Life. The film, a confection of Austen-lite motifs — clever women, complicated suitors, inevitable reconciliations — wasn’t surprising in its content. But the effect was memorable: it summoned a congregation — a testament to the fact that America has rebranded Austen into a pastel prophet of self-optimization.
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