In 1924, the French novelist Marcel Arland — founder of the Dadaist newspaper Aventure — wrote an article in La Nouvelle Revue Française which contained the phrase mal du siècle (the illness of the century), which he used to describe an ambivalent feeling, a dissonance, well-known to young men of his generation. Those men, many scarcely boys at the war’s beginning, had returned to a culture entirely removed from the mechanized brutality of the front from which they had emerged in 1918. It was an experience which some would try, and mostly fail, to sublimate in art and literature.
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