Should Warhol Be Canned?

Nobody did opaque like Andy Warhol. The dark glasses, the sleepy utterances—he didn’t just immortalize the soup can, he practically was one, inanimate and sealed tight. But as such, was he also a kind of passive destroyer? That’s the premise of Warhol’s Muses, by Laurence Leamer, whose earlier group portrait, Capote’s Women, was the basis for last year’s FX series Feud: Capote vs. the Swans.