How “The Brutalist” Brutalizes History

I am struggling to recall a film that made me as angry as The Brutalist did. The top-tier contender for Academy Awards Best Picture directed by Brady Corbet and starring Adrien Brody as the fictional modernist architect László Tóth, who survives the Holocaust, comes to America after the war, toils in undeserved obscurity until being plucked therefrom by a wealthy industrialist who commissions him to build a complex that will make his name enraged me in a way that is entirely out of proportion to the ultimate significance of the film—or, arguably, of any film.

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