Few are the authors whose names rise to the status of adjectives: Shakespearean profundity, Dickensian squalor, Kafkaesque bureaucracy. Rabelaisian—satirical, excessive, corpulent—joins these ranks. The French author François Rabelais’s first novel, Pantagruel, is a heady celebration of abundance in which sexual organs and epic feasts sit alongside scatological humor. Beneath the absurdity, however, is a deep critique of Renaissance learning.
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