Last week, I spoke at an event at Barnes & Noble with Agustina Bazterrica, an Argentinian writer whose “splatterpunk” novels and short stories are characterized by the granular precision of their descriptions of gore. I asked Bazterrica whether she saw herself as working within a particular tradition of transgressive violence — Burroughs, say, or Mirabeau — and how she hoped the reader would respond to her novels’ most violent scenes.
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