I have written about this before, but I want to tell the story again. It happened, I figure, around 1981 or ’82, outside the doors of the Bistrot, a bar in the historic center of Girona, Spain. I was walking up to the university with my classmate Xavier Coromina when he stopped to say hi to a guy who was a bit older than us, looked like a hippie peddler, and had a Latin American accent, Mexican or Argentine or Chilean (back then I was unable to distinguish one from the other). They talked. At some point Coromina asked the guy how things were going with the novel he was writing. He made a skeptical face and answered: “It’s going, it’s going, but who knows where it’s really headed.” That was it, and the phrase remained etched in my mind, maybe because, although secretly I wanted to be a writer, at nineteen I had yet to summon up the courage to admit it, and I was impressed by how naturally that guy—the first real or pretend novelist I’d ever crossed paths with in my life—spoke of his projected novel. Of course, I was sure I would never hear of him again, that he would never be a proper novelist or would only be one of so many Latin American novelists of his generation, thwarted by displacement, bohemianism, and poverty, but seven or eight years later, while I was writing my second novel in the United States, I included a scene in which one character asks another how his doctoral thesis is going, and the other one answers, “It’s going, it’s going, but who knows where it’s really headed.”
Read Full Article »