Among last year’s cavalcade of Big Ideas movies, Alexander Payne’s quiet period dramedy “The Holdovers” was, I think, considered somewhat slight, despite being well-regarded. But although it lacked any literal nuclear explosions or dramatic political speeches, the film wrestled with one of the major social themes of our times: a kind of structural transformation in the value proposition of elite education that I think about whenever I see a new campus controversy.
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