What do we mean when we say a novel is a “sad girl novel”? I could list a dozen popular novels published over the last few years that have had this term slapped on them. What do they have in common? Most often a protagonist who is at times miserable and disaffected, who is suffering under capitalism, who is ambivalent about their sexual experiences and their relationships with others. Usually they are highly educated and frequently analyse their own situation. Sometimes they are grieving, often they are bored. By this metric Karl Ove Knausgaard is perhaps our foremost sad girl novelist, a master of the form. Brandon Taylor’s Real Life also meets many of these criteria, as does Fuccboi by Sean Thor Conroe. You might even call this type of novel the dominant mode in literary fiction – so why is it a girl problem?
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