In January, Condé Nast announced that it was folding Pitchfork into GQ, laying off much of the staff of the influential, independent-minded music publication. The outcry was immediate. Why was one album-review website, founded nearly three decades ago in a suburban Minnesota bedroom, loved by so many music fans—and hated by so many others? Pitchfork transformed indie rock, but did pop transform Pitchfork? And does the Condé news really mean that Pitchfork is dead?
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