The Decline of Beauty

Ask the contestants of Family Fortunes about the purpose of art, and the concept of beauty is sure to top the list. A kindergartner, likewise, would display an instinctive understanding of the word. In exhibition writing and art criticism today, however, it is as though beauty never existed. Tate wouldn’t dare describe a painting as beautiful, and any artist trying to market their work in such terms would be cast out as an amateur. To speak about beauty today is to be reactionary, without the redemption once offered by thinkers like Roger Scruton. In contemporary art discourse, the concept of beauty is essentialist and deterministic and thus of no use.