The Demons We’ve Made

Fyodor Dostoevsky’s 1872 novel Demons is, at its core, a story of fathers and sons, a story of two generations typified by Stepan, the father, and Pyotr, the son. Stepan is a composite stand-in character for the Russian intelligentsia of the 1840s, who looked to fashionable Western theory and socialism as the needed tonic to cure an ailing Russia. Pyotr, on the other hand, represents the chickens coming home to roost—a nihilistic fanatic par excellence who, born in the moral and ideological morass prepared for him by his father and those of his father’s generation, endeavors for nothing less than the total overthrow of society--“quick resolution by means of a hundred million heads.”