Taylor Swift’s 1989 reminds me of 2014, the year of its release, which is to say that it reminds me of Tinder. That’s when the dating app, founded two years earlier, settled into ultra-popularity: It was logging 1 billion “swipes” a day as singles smudged their thumbs over pictures of strangers, judging and being judged. Tinder turned the classic, nervous thrill of the dating experience into a game, one that millions of people could play at once. Then, with uncanny timing, Swift released an album all about fun and flaky romance, helping listeners bounce along to their next potential rejection.
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