PJ Harvey has achieved one of music’s rarest feats: a water-tight discography with few weak spots and little repetition. The lone throughline in her work is a desire to convey multiple states at once, collapsing the boundaries between dreaming and waking, euphoria and melancholy, life and death. For three decades, that approach has received unwavering adulation from fans, critics, and peers. Kurt Cobain listed Dry as one of his all-time favorite albums; three of her LPs (Rid of Me, To Bring You My Love, Stories From the City, Stories From the Sea) appear on Rolling Stone’s list of 500 Greatest Albums of All Time; and she is the only artist to have won the U.K.’s prestigious Mercury Prize more than once.
Read Full Article »