One sure way to throw Bob Dylan fans into a tizz—well, into more of a tizz than the kind we usually experience around such matters—is to propose a late-night discussion about the still-unresolved question of his 19th studio album. Other than a surprise hit single, “Gotta Serve Somebody,” which netted the singer his first Grammy and a bit of chart action, Slow Train Coming has long had a divisive effect on the diehards, not to mention the numerous biographers who have attempted to unriddle Dylan’s music over the decades. Quite possibly it remains a mystery even to the singer-songwriter-performer with the bosky beard who wrote and recorded its nine tracks two-score and four years ago.
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