The Little Mermaid is Disney Propaganda

One of the musical highlights of the original, animated Little Mermaid is a scene in which Ariel, newly human, tries to get Prince Eric to kiss her. If he doesn’t, she’ll turn back into a mermaid, but because Ariel has lost her voice, her main job is to sit there looking available; the actual seduction is stage-managed by her crab friend Sebastian, who sings encouragement into Eric’s ear:

Yes, you want her, look at her you know you do.
Possible she wants you too, there is one way to ask her.

In the new version of The Little Mermaid, presumably out of deference to our evolving, post-MeToo sensibilities surrounding sexual consent, that line has been subtly changed. In 2023, Sebastian’s advice is: “Use your words, boy, and ask her.”

Not so romantic, but in this case, the question does seem necessary, since Ariel’s feelings are far from obvious. While 1989 Ariel makes it quite clear that she’s keen, our contemporary one, played by the pop singer Halle Bailey, has no thoughts of kissing at all — because, in a truly massive departure from the animated source material, she’s forgotten she needs to in order to win her freedom.

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