Since the late nineteen-seventies, the Australian musician Nick Cave has given voice to our gnarliest impulses and fears. As a founding member of the cacophonous post-punk band the Birthday Party, he sang of sexual perversions and violent reveries in a dank baritone, a misfit visionary in the spirit of Tom Waits, Alan Vega, and Iggy Pop. (In 1981, “Release the Bats,” one of the band’s first singles—“Release the bats! Release the bats! Pump them up and explode the things!”—was declared Song of the Year by the BBC broadcaster John Peel.) In 1983, Cave formed Nick Cave and the Bad Seeds; over time, his lyrics grew sharper and more striking. In 1997, he released “The Boatman’s Call,” a bleak and tender piano record about romantic devastation. The album showcases his aptitude for articulating heavy and complex human experiences with elegance and gall. If you have ever felt a strange, throbbing ache somewhere low in your gut—born of heartbreak, yearning, or some depraved desire—Cave probably has a song for that.