Franklin Goes to Hollywood

Those who spend even a little bit of time in the various corners of Music City’s moviemaking culture from the Nashville Filmmakers Meetup and the Nashville Filmmakers Guild to panels at the Nashville Film Festival’s Creators Conference hear the refrain that the reason the region has yet to wrest the title of Hollywood South away from its cousin Atlanta is that Tennessee does not offer tax incentives competitive enough to draw the likes of Marvel and Netflix on a regular basis. Such conceptions create a myth of the state as a barren wasteland of production with a starving filmmaking community of talented people at the top of their craft ready to work–if only the stingy politicians would throw some tax money their way to make their indie dreams come true.

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