Collective Disaster

After seeing White Noise, Noah Baumbach’s adaptation of Don DeLillo’s acclaimed 1985 novel, at the New York Film Festival, I discussed the movie with a couple of friends as we walked back to the subway. They had mixed to negative reactions, for a bevy of reasons, but they shared one thing: They felt that the film’s thematic concerns—consumerism as an American religion, the media’s power to shape human behavior, the collapse of high and low culture—were fundamentally dated and quaint.