When, on October 23, 1922, T.S. Eliot assembled and dispatched to the New York lawyer and bibliophile John Quinn a packet containing drafts of The Waste Land as well as a notebook of early poems tentatively entitled Inventions of the March Hare and a selection of loose-leaf manuscripts of individual poems, he included in the package (surely inadvertently) the receipts for the three weeks he’d spent in the Albemarle Hotel, Cliftonville, Margate, in October and November of the previous year. While there, he had composed sections of what became part 3 of The Waste Land, “The Fire Sermon,” in which an oblique reference is made to this seaside town: “On Margate Sands./I can connect/Nothing with nothing.” Though a “First Class Family Hotel,” as the heading on its bills declares, the Albemarle charged extra for baths, which cost a shilling. Eliot scholars piecing together the creation of the most influential poem of the twentieth century in the reading room of the Berg Collection at the New York Public Library, which acquired this material in 1958, were therefore able to ascertain that Eliot took just two baths between October 22 and 28, four the following week, and seven the week after that, including two on November 5.