Along time ago – 7 December 1992, to be exact – I was backstage at a Toronto theatre, taking off a Stetson. With two other writers, Timothy Findley and Paul Quarrington, I’d been performing a medley of 1950s country and western classics, rephrased for writers – Ghost Writers in the Sky, If I Had the Wings of an Agent, and other fatuous parodies of that nature. It was a PEN Canada benefit of that era: writers dressed up and made idiots of themselves in aid of writers persecuted by governments for things they’d written.