A Square Prehistory of Popular Music

A Square Prehistory of Popular Music
AP Photo/Herman Leonard, National Portrait Gallery

Midway through Ian McEwan’s novel On Chesil Beach there is a scene in which the central couple argue about music. Florence, the violinist in a string quartet, can’t stand the racket made by Edward’s rock group. It’s the drumming that really gets her: “the tunes were so elementary, mostly in simple four-four time, [so] why this relentless thumping and crashing and clattering to keep time?”. At which point he kisses her and tells her she’s “the squarest person in all of Western civilisation”.

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