Many people, even in France, have by now forgotten a small detail of the fateful day of Jan. 7, 2015, when members of a Paris al Qaeda cell stormed the offices of the satirical newspaper Charlie Hebdo and murdered 12 cartoonists, writers, and editors. A new issue of the publication had just hit the newsstands, and all over the city, on its cover, was the caricatured image of a sickly, haggard Michel Houellebecq with a pointed magician’s cap, smoking a cigarette, looking like some untouchable warlock. “Predictions of the Magus Houellebecq”, the cover read.