On Olga Tokarczuk and Peter Handke

On Olga Tokarczuk and Peter Handke
AP Photo/Francois Mori

IT WAS A SPECIAL edition of the Nobel prize in literature. Following the suspension of the award last year in the wake of a sexual-abuse scandal, on October 10th the Swedish Academy announced the winners of both the 2018 and 2019 medals. From shortlists of eight writers, they chose to crown Olga Tokarczuk, a Polish novelist, and Peter Handke, an Austrian playwright, scriptwriter and memoirist. Each writer will receive SKr9m ($907,000), a medal and a diploma.

Earlier this month, Anders Olsson, chair of the Nobel prize in literature committee, had said that formerly the jurors “had a more Eurocentric perspective on literature,” but that now they “are looking all over the world”. So the triumph of two authors from Europe, which accounts for just 11% of the world’s population but three-quarters of the laureates since the Nobel prize was founded in 1901, will surprise those who had hoped the Academy might use its year of reflection to broaden its scope and acknowledge a writer from farther afield. Early favourites were Maryse Conde, the empress of Caribbean literature; the celebrated Kenyan novelist, Ngugi wa Thiong’o; and Haruki Murakami from Japan.

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