Wes Anderson’s style of filmmaking is easy to pigeonhole as overly twee and susceptible to parody, but that’s because past the affect and omnipresent Moonrise Kingdom couples Halloween costumes, he’s a gifted director with a well-defined, consistent voice. Matt Zoller Seitz, New York magazine television critic, editor-in-chief of RogerEbert.com, and a long-time acquaintance of Anderson has examined that voice for years, starting with the first-ever profile of Anderson and frequent collaborator Owen Wilson. In The Wes Anderson Collection, Seitz expands a series of video essays on Anderson’s influences, illuminating as much of Anderson’s process as possible in a massive, beautifully rendered volume. Although it looks (and sometimes reads) like a coffee table book, The Wes Anderson Collection brings together style and substance to provide a loving homage to Anderson’s films and moviemaking in general.
