Daniel Mendelsohn’s Manhattan apartment is quiet, classy, tasteful. It is a symphony of stillness and neutrals in stark contrast to the constant motion, precise convictions, and easy chatter of the man who inhabits it. He apologizes for having nothing to offer but ice water, but is generous and forthright in his conversation. Mendelsohn is the author of two memoirs, The Elusive Embrace and The Lost, as well as a translation of the poems of C.P. Cavafy, a scholarly book about Greek tragedy, and two collections of critical essays, How Beautiful It Is And How Easily It Can Be Broken and the just published Waiting for the Barbarians. Previously the book critic for New York magazine, he is now a regular contributor to the New Yorker and the New York Review of Books. He has a Ph.D. in Classics and is a professor at Bard College, and there is the air of the scholar about him. Yet his lean freelancing-and-grad school, ramen-eating days remain a favorite topic, as do current movies and TV shows.
