Over the course of the last two decades, Steven Biel has become the foremost scholar of what might be termed the folklore of consumer capitalism. His 1996 book Down with the Old Canoe (recently reissued in an updated tradition) traced the collective memory, both in the immediate aftermath and the century following the Titanic disaster of 1912. In American Gothic (2005), he explored the meanings -- some contradictory, others downright zany -- that have been attached to the classic 1930 Grant Wood painting. Though fundamentally a different kind of enterprise, his first book, Independent Intellectuals in the United States 1920-1945 (1992) derived some of its energy from a preexisting fascination with the legendary writers whose careers he proceeded to reinterpret. Biel is unparalleled in his ability to unearth, and then link, disparate sources in American culture and establish organic links between them.
