'Game of Thrones' Is a Triumph of Storytelling

Tell Khal Drogo that he has given me the wind.” With these words, spoken by Princess Daenerys Targaryen in an early chapter of George R. R. Martin’s novel A Game of Thrones, my apprehensions were crystallized. How could I, a finicky and tender-stomached reader, digest without upset Martin’s maximally invented Dark Age world—the maps, the myths, the heraldry? Historical fantasy, as a genre, is not my cup of tea. The books are too long. The names are too silly. And there’s that stony-faced proclamatory style—as if irony were a late-20th-century novelty, like the digital watch. Surely Khal Drogo was about to give me the wind?

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