Why Comics, Why the Holocaust, and Why Mice?

itting forlornly on my bookshelf is a dusty, book-shaped box containing an antiquated item known as a CD- ROM. Titled, â??Maus,â? it was produced in 1992 and epitomized the cutting edge of hypertext at that time. Containing digitized versions of both volumes of Art Spiegelmanâ??s ground-breaking, Pulitzer Prize-winning graphic novel, it is also chock full of video clips of the author and sound recordings of his father â?? Vladek, the main character in â??Maus,â? â?? as well as numerous documents related to the creation of the book.