INVITED TO THE Hebrew University in Jerusalem for spring term as a visiting professor of art history, an American scholar travels to Israel. She sends her ten-year-old daughter to a Hebrew day school in the neighborhood known as French Hill. She makes plans to visit Yad va’ Shem. But her husband vehemently opposes this: their little girl is too young, she must be protected a while longer. The parents debate, discuss, and, in an uneasy compromise, they go to the memorial but show her just the children’s drawings from the concentration camp of Terezín.
