In an article in the New York Times Book Review last month, Paul Elie ponders why Christian belief figures, “as something between a dead language and a hangover,” in current fiction. He observes that the literary heirs of Flannery O’Connor and Walker Percy are strangely absent from the present class of MFA-credentialed young novelists now in vogue. And while Elie is right that it is a strange development, he misdiagnoses the reasons why.
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